In Certain Circles is dedicated to Katia and Marielle Labèque.
World premiere at Philharmonie de Paris with Orchestre de Paris , followed by premieres in Germany, UK, USA, Finland

"In Certain Circles is in three movements. The first contains a little fragment of a piece by Rameau, l’Enharmonique. The movement is about uncovering it through various disguises and lifting of those disguises. From time to time, the tune from the Rameau appears and quickly vanishes; while it’s not always meant to be fully audible, there should be a sense of l’hantologie here, where the simple intervals of the Rameau permeate the texture in oblique and sometimes obscure ways. A very simple gesture permeates all three movements: a rising second, forcefully declared by the brass in the very first bar; the brass often insists on these intervals even when they antagonise the pianos.

The second movement is a pair of dance-suite movements: a sarabande and a gigue. I tried to call on my knowledge of French baroque music to make something I’ve never done before, which is to say, music which more or less obeys the rhythmic rules of a received form. Here, the piano go in and out of rhythmic unison with one another — a little mechanical, a little expressive. While the sarabande is quite supple, the gigue is explicitly mechanical and a bit unstable. The normal sets of 6 and 12 beats are oftentimes interrupted with unwelcome little hiccoughs of 4 or 5 beats, creating a sense of anxiety despite the explicitly diatonic harmonies.

The third movement begins with the pianos in completely different rhythmic worlds from one another. ‘Disconnection’ is the guiding musical principle here; the music shifts quickly from very dark to very bright, from jagged rhythms to simple quavers and semiquavers, and from delicate to quite violent. Every playful moment is offset by something severe or mechanical. After a relatively joyful pulse-based episode, we perceive a final spectre of l’Enharmonique and the movement ends abruptly"

—Nico Muhly

“In Certain Circles” was written for Katia and Marielle Labèque  ….it has  a freedom born from confidence , an exciting new piece — focused, phantomlike, unafraid of sentiment — from a composer who has been in the public eye, and the cross hairs of critics, since shortly after earning his master’s degree from the Juilliard School in 2004. It’s moody too ….The tone of “In Certain Circles” is consistent — wispy and vaguely ominous — but Muhly is able to tell a three-part story with it. The Labèque sisters favor rhythmic precision and quick, sharp action — a solid way to achieve clarity in the double piano repertory 

- New York Times, April 28 2022 NY Premiere

Full article HERE

German premiere was played on 28, 30 and 31 October 2022 in Düsseldorf (Tonhalle Düsseldorf, Düsseldorfer Symphoniker, Adrien Perruchon).